Simbu's Party Time.
Few days ago well known actor Silambarasan specially known as "The Little Superstar or The Young Superstar" celebrated his Birthday in a grand manner. Most of of film fraternity attended the party to felicitate actor Simbu.
As the most expected film of Simbu Vinnaithandi Varuvaya which is directed by Gautham Menon and the music is scored by A.R.Rahman is about to release soon. The music of this film has made it to #1 on the chart and it was the first film from Tamil film industry whose audio launch was held in foriegn country(London, U.K). Iam sure Vinnaithandi Varuvaya will be a massive hit like Vaaranam Aayiram.
Latest buzz about Simbu is that the ace director Mani Ratnam have approached Simbu for his
next film and the actor have also agreed to the director without any hesitation.
Vinnaithandi Varuvaya will portray Simbu and Trisha in a different form as Gautham have directed this film in very different manner, waiting to watch this movie in big screen.
I think its one of the awesome party i have ever seen bcos Ultimate Star Ajith Kumar and his wife Shalini Kumar were present and even Sarath Kumar and wife Radhika Sarath Kumar were present at the party.
Other who attended were Director K.S.Ravikumar, Gautham Menon, Venkat Prabhu, Dharani, Bala. Actor Ajith Kumar, Sarath Kumar, Arya, Bharath, Siva, Jai, Premgi, Music Director Yuvan Actress Shalini, Radhika, Trisha and even some serial star were present at party.

























Wednesday, February 10, 2010 | 0 Comments
Goa Movie Review.
Soundarya Rajinikanth should be appreciated for avoiding a predictable, contrived formula plot and choosing a bold theme for her maiden production venture.
Though Venkat Prabhu's third outing doesn't match his earlier ones, Goa does have its moments.
The story begins in a village Pannaipuram (Venkat Prabhu's native place) near Madurai, where Saamikannu (Premgi Amaran), Vinayagam(Jai) and Ramarajan (Vaibhav) are friends.
The trio does nothing besides indulging in mendacious activities. The irked villagers decide to teach them a lesson and the panchayat chief orders that the three irritating chaps should be separated for the peace of the village.
They rob the temple jewellery and run away to Madurai to meet one of their friends, Azhagar.
When they discover that the friend has married a foreigner whom he met in Goa and is leaving soon for London, they set off for Goa looking for rich foreigners whom they can marry and settle down with abroad.
When they reach the land of sun, sand, surf and sexy women, they meet a cou ple of gay restaurateurs Jack (Arvindh Akash) and Danny (Sampath) who run a resort and help the trio out. Roshini (Piaa bajpai) a singer at the resort falls for Vinayagam. Meanwhile Jesika (Melony), a white woman who'd met Saami earlier at a Madurai wedding, bumps into him in Goa and falls in love with him. Ramarajan's life also takes a new turn when he meets Suhasini Fernando (Sneha), a millionaire who owns a gambling spot called Casino Royale. With the help of Jack and Danny, the village bumpkins get an image makeover. The rest of the film, narrated in a hilarious way, is about whether they succeed in their devious plans to marry rich gals.
Venkat Prabhu's brother Premgi's role has an edge over the others. He utilizes it fully and plays to his strength. Equally impressive are Jai and Vaibhav. Jai with his broken English dialect evokes laughter every now and then.
While Arvindh Akash does a neat job, it is Sampath in the unconventional role of a gay guy who is a revelation. None of the three girls have any great bearing on this male-dominated movie. Sneha, attempting an image makeover by playing a bold character, carries off the role with ease and Piya is promising. The problem with the film is its weak script -- one can hardly find a story in it. For how long can we watch the boys constantly running behind bikini-clad women?In the second half, the story meanders aimlessly. What needs to be appreciated is his attempt to portray a homosexual relationship in a mainstream film. He has pulled it off with plenty of humour, but avoided mockery.
Sunday, January 31, 2010 | 0 Comments
Vamanan Movie Review
According to the Hindu mythology Vamanan is a character who is small in nature but has done some mighty deeds. Taking a cue from this, debutant director Anand has cast young actor Jai in his thriller film about a young man who faces several problems, but manages to comes out on the top at the end.
The film starts with the shooting of a commercial where Vinodh is the cameraman and top model Pooja (Lakshmi Rai) poses for him. A remote operated camera placed in a small helicopter captures the entire shoot. Then at one point time, the helicopter loses control and gets stuck in a tree in a neighboring farm house. Then whole crew sets out in search of the small helicopter and finally they locates it.
Even when the helicopter was struck the camera which was attached to it was recording. After when the helicopter was removed and they saw the video what the camera recorded and were totally shocked to see the footage of a state minister’s murder(Delhi Ganesh) by another minister Anbu Chezhian (Sampath).
Mean while, Anand (Jai) who aspires to become an actor comes to the city from his village and stays with his childhood friend (Santhanam), who work as a cameraman with a famous TV channel. Anand’s efforts to enter tinsel town prove futile, and he meets Divya (debutant Priya) in a railway station and falls in love with her. One day, Anand meets John (Rahman) at the station and is impressed by the way John catches a chain snatcher and sooner they become friends. He also meets Pooja and becomes friend with her in the hope of getting a break in films.
Later it’s revealed that minister Anbu has a close connection with the Commissioner of Police, Kailasam (Thalaivasal Vijay) and then find that Vinodh has the tape. Then Anbu and Kailasam’s men kill Vinodh, but fail to find the tape. They then turn to Pooja, who is eventually killed and the blame falls on Anand, who has been betrayed by John. After a series of chase scenes to find the tape, Anand finally manages to locate it. How he hands over the tape to the former CoP (producer Ravendran in a cameo) forms the rest of the movie.
Vamanan is Jai’s first movie as a solo hero, after his roles in Chennai-28 and Subramaniyapuram. Though he manages to impress with his natural expressions, his conscious effort to imitate mass heroes like Vijay and Simbhu is easilyunderstood and with her girl-next-door looks, Priya is just above adequate. Santhanam’s comedy is superb.
The movie’s highpoint is Aravindh Krishna’s cinematography, which captures Chennai in fresh and different tones. Yuvan Shankar Raja’s songs are very mediocre.
The major drawback is that the screenplay lacks the punch of a thriller. However, the last half-an-hour of the film, leading up to the climax has been well executed.
Sunday, July 12, 2009 | 0 Comments